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Mia Farrow appeared in this basic story of paranoia sporting baby-doll fashion mini dresses, neat tailored minis, and tent dresses with Peter Pan collars. Her winter garb of a turtle neck sweater worn with a protracted plaid maxi skirt was a smooth new look. Everyone immediately needed an extended plaid skirt. Her hair switch from easy page boy to short pixie created a gamine kind of femininity paying homage to Audrey Hepburn.
It is a motion with an educational intention. By opposing itself to and condemning quick vogue, it seeks to stimulate and disseminate an consciousness of the clothing trade’s direct position and appreciable influence on well being, the setting and the depletion of its resources. The …